Drawing from diaries, autobiographies, and personal correspondence, the auther reveals the complex reality and history behind stereotypes of courtship, adolescence, sexuality, and marriage in America from 1770 to 1920.
Explore 800 years of lust, love, and loss.The author takes the reader on a journey from medieval courtly love, through to the sexual license of the Restoration, and Victorian propriety. Pick up historical 'dating tips', from how to court (or be courted); write romantic love letters, give and receive gifts, propose and pose as a sighing swain. A historical approach to the problem of finding a mate, with case studies of classic romantic mistakes and plenty of unusual tales. In the fourteenth century young men tried to impress the ladies with their footwear, donning shoes with pointed toes so long that they had to be secured with whalebone presumably because size mattered!
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The Rhetoric of Courtship is about the literature of the Elizabethan period with a particular focus on the literature of the court. This book considers how writers and courtiers related to Elizabeth I within a system of patronage and how they portrayed this relationship in fictional courtship of poetry and prose.
Drawing from a study of courtship media and ethnographic work at purity retreats and home-school conventions across the Midwest, this is the first inquiry into modern Christian courtship, an alternative to dating that asks young people to avoid both romance and sex until they are ready to be married. Bridging sociological and historical studies of American Christianity with youth and girlhood studies literatures, Elizabeth Shively finds that the courtship system is designed to shore up the patriarchal nuclear family structure at the center of conservative Christianity and ensure predictability in the face of emerging adulthood: single young women work to embody ideals of “luminous femininity” and model themselves after archetypes such as the “Proverbs 31 woman,” the “stay-at-home-daughter,” and the “mission-minded girl,” and courting couples strive to “guard their hearts” against premature emotional intimacy. Nonetheless, participants report that courtship, like other relationships, inevitably carries an element of risk, and it ultimately fails to offer a substantial challenge to the to the sexist realities of youth dating culture.
Critics and general readers highly regarded the poetry and prose of Nathaniel Parker Willis (1806"1867) during the American Renaissance of creative literature in the decades before the Civil War. As an editor and frequent contributor to one of the young nation's most successful and elegant literary magazines, The New-York Mirror, Willis achieved an international reputation for his witty and worldly tales and letters. This new edition collects outstanding examples of Willis's short fiction written at the peak of his abilities. This scholarly edition of important short fiction by N. P. Willis includes a general introduction and many short essays describing literary and historical contexts that provide information for the modern reader. This is the first in the University of Akron Press's Critical Editions in Early American Literature series.
This book is the first major study of courtship in early modern England. Courtship was a vitally important process in early modern England. It was a period of private and public negotiation, often fraught with anxiety. If completed successfully it brought respectability, the privileges of marriage and adulthood, and a stable union between socially, economically, and emotionally compatible couples. Using Kent church court and probate material dating from the 15th to the end of the 16th century, the book blends historical and anthropological perspectives to suggest novel and exciting approaches to the making of marriage.
This 1999 book offers an original study of lyric form and social custom in the Elizabethan age. Ilona Bell explores the tendency of Elizabethan love poems not only to represent an amorous thought, but to conduct the courtship itself. Where studies have focused on courtiership, patronage and preferment at court, her focus is on love poetry, amorous courtship, and relations between Elizabethan men and women. The book examines the ways in which the tropes and rhetoric of love poetry were used to court Elizabethan women (not only at court and in the great houses, but in society at large) and how the women responded to being wooed, in prose, poetry and speech. Bringing together canonical male poets and women writers, Ilona Bell investigates a range of texts addressed to, written by, read, heard or transformed by Elizabethan women, and charts the beginnings of a female lyric tradition.
