On 13 September 1759, General James Wolfe, having led the British troops up the St Lawrence to victory in the Battle of Quebec, died on the Heights of Abraham. Schama examines this death, and how Wolfe was made to die again - through the spectacular painting by Benjamin West, and through the writings of the 19th-century historian Francis Parkman. Schama's second death concerns Parkman's uncle, George Parkman of Harvard Medical College, who disappeared in 1849 in mysterious circumstances and who was rumoured to have been murdered by a colleague. Through these incidents, Schama sheds light on the writing of history, the history of history, and the relationship of 'story' to 'history'.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
American historians of the early national period, argues Eileen Ka-May Cheng, grappled with objectivity, professionalism, and other “modern” issues to a greater degree than their successors in later generations acknowledge. Her extensive readings of antebellum historians show that by the 1820s, a small but influential group of practitioners had begun to develop many of the doctrines and concerns that undergird contemporary historical practice. The Plain and Noble Garb of Truth challenges the entrenched notion that America’s first generations of historians were romantics or propagandists for a struggling young nation. Cheng engages with the works of well-known early national historians like George Bancroft, William Prescott, and David Ramsay; such lesser-known figures as Jared Sparks and Lorenzo Sabine; and leading political and intellectual elites of the day, including Francis Bowen and Charles Francis Adams. She shows that their work, which focused on the American Revolution, was often nuanced and surprisingly sympathetic in its treatment of American Indians and loyalists. She also demonstrates how the rise of the novel contributed to the emergence of history as an autonomous discipline, arguing that paradoxically “early national historians at once described truth in opposition to the novel and were influenced by the novel in their understanding of truth.” Modern historians should recognize that the discipline of history is itself a product of history, says Cheng. By taking seriously a group of too-often-dismissed historians, she challenges contemporary historians to examine some ahistorical aspects of the way they understand their own discipline.
Recently there has been a renewed interest in moral inquiry among American scholars in a variety of disciplines. This collection of accessible essays by scholars in philosophy, political theory, psychology, history, literary studies, sociology, religious studies, anthropology, and legal studies affords a view of the current state of moral inquiry in the American academy, and it offers fresh departures for ethically informed, interdisciplinary scholarship. Seeking neither to reduce values to facts nor facts to values, these essays aim to foster discussion about inquiry and moral judgment, and demonstrate that moral inquiry need not be either dispassionate and value-free or moralistic and preachy.
This collection is a fine balance of attitude and anecdote in the best essay writing tradition. The author muses on topics as diverse as God's gold swing and a triathalon involving horses, women and champagne. On Modern Medicine: Once a visit to a doctor involved examining you and prescribing treatment. Nowadays he will not touch you, and he assumes the guise of a simpleton. Present yourself with an axe in your skull and he will not hazard a guess as to the source of your discomfort until you have had X-rays, blood tests, cat scans, ultrasounds and exhausted the possibilities of every diagnostic machine within a hundred mile radius. On Language: Language came into being when the female arrived back earlier than expected from the berry picking expedition and found her partner with his head under the bear skin of the lady from the cave next door. Necessity is the mother of invention. He now has a need for language, without it he is dead meat. He has no hope. But if he can blurt out, "I was looking for your lost flintstone," or "It's an old folk remedy for migraine," or even "She made me do it." Then he has a chance, albeit a slim one. We didn't get where we are today without optimism. On the selling of women: Surely no one would argue that a man's house should come cheaper than his wife. When was the last time you saw a man walk away from a piece of real estate? Yet they abandon their wives all the time. The difference being the latter have no re-sale value. This delightful collection, beautifully written, will provoke thought and laughter at the same time.
The third edition of Writing History provides students and teachers with a comprehensive overview of how the study of history is informed by a broader intellectual and analytical framework, exploring the emergence and development of history as a discipline and the major theoretical developments that have informed historical writing. Instead of focusing on theory, this book offers succinct explanations of key concepts that illuminate the study of history and practical writing, and demonstrates the ways they have informed practical work. This fully revised new edition comprehensively rewrites and updates original chapters but also includes new features such as: - new chapters on postcolonial, environmental and transnational history; - chapter introductions setting them within the context of historiography; - a new substantive introduction from the editors, providing a useful road-map for students; - an expanded glossary. In its new incarnation Writing History is, more than ever, an invaluable introduction to the central debates that have shaped history.
Why should history students care about theory? What relevance does it have to the "proper" role of the historian? Historiography and historical theory are often perceived as complex subjects, which many history students find frustrating and difficult. Philosophical approaches, postmodernism, anthropology, feminism or Marxism can seem arcane and abstract and students often struggle to apply these ideas in practice. Starting from the premise that historical theory and historiography are fascinating and exciting topics to study, Claus and Marriott guide the student through the various historical theories and approaches in a balanced, comprehensive and engaging way. Packed with intriguing anecdotes from all periods of history and supported by primary extracts from original historical writings, History: An Introduction to Theory, Method and Practice is the student-friendly text which demystifies the subject with clarity and verve. Key features - Written in a clear and witty way. Presents a balanced view of the subject, rather than the polemical view of one historian. Comprehensive - covers the whole range of topics taught on historiography and historical theory courses in suitable depth. Full of examples from different historical approaches - from social, cultural and political history to gender, economic and world history Covers a wide chronological breadth of examples from the ancient and medieval worlds to the twentieth century. Shows how students can engage with the theories covered in each chapter and apply them to their own studies via the "In Practice" feature at the end of each chapter. Includes "Discussion Documents" - numerous extracts from the primary historiographical texts for students to read and reflect upon.
When Jack Haines reports a break-in at his greenhouse, the motive of the intruder is unclear. Other than the destruction of some expensive orchids, no damage has been done, and nothing seems to be missing. But Detectives Sloan and Crosby sense something sinister, and soon their suspicions are confirmed. Similar reports are multiplying and sabotage is the word on everyone's lips. The pair is drawn into an equally perplexing case when the mysterious Miss Enid Maude Osgathorp goes missing. Investigations begin at her deserted abode, Canonry Cottage, where the detectives soon discover that the house has been ransacked. Shattered glass is found in the larder, and traces of blood spatter are found on the floors. Something disturbing has undoubtedly taken place, but Sloan and Crosby can't figure out who did it, or why. As it becomes clear that the two cases are linked, the two detectives must work to find the missing woman, and how she connects to the greenhouse burglary, before it is too late. Dead Heading is the 23rd book in Catherine Aird's series following Detective Chief Inspector C.D. Sloan.
How did Nicholas II, Russia’s last Tsar, meet his death? Shot point blank in a bungled execution by radical Bolsheviks in the Urals, Nicholas and his family disappeared from history in the Soviet era. But in the 1970s, a local geologist and a crime fiction writer discovered the location of their clandestine mass grave, and secretly removed three skulls, before reburying them, afraid of the consequences of their find. Yet the history of Nicholas’ execution and the discovery of his remains are not the only stories connected with the death of the last Tsar. This book recounts the horrific details of his death and the thrilling discovery of the bones, and also investigates the alternative narratives that have grown up around these events. Stories include the contention that the Tsar’s killing was a Jewish plot, in which Nicholas’ severed head was taken to Moscow as proof of his death; tales of would-be survivors of the execution, self-confessed children of the Tsar claiming their true identity; and accounts of miracles performed by Nicholas, who was made a saint by the Russian church in 2000. Not least among these alternative narratives is the romanticization of the Romanovs, epitomized by the numerous photographs of the family released from the Russian archives.
The Singer’s Needle offers a bold new approach to the history of twentieth-century Panamá, one that illuminates the nature of power and politics in a small and complex nation. Using novelistic techniques, Vierba explores three crucial episodes in the shaping and erosion of contemporary Panamanian institutions: the establishment of a penal colony on the island of Coiba in 1919, the judicial drama following the murder of President José Antonio Remón Cantera in 1955, and the “disappearance” of a radical priest in 1971. Skillfully blending historical sociology with novelistic narrative and extensive empirical research, and drawing on the works of Michel Foucault among others, Vierba shows the links between power, interpretation, and representation. The result is a book that deftly reshapes conventional methods of historical writing.