New Essays on Plato assembles nine original papers on the language and thought of the Athenian philosopher. The collection encompasses issues from the Apology to the Laws and includes discussions of topics in ethics, political theory, psychology, epistemology, ontology, physics and metaphysics, and ancient literary criticism. The contributions by an international team of scholars represent a spectrum of diverse traditions and approaches, and offer new solutions to a selection of specific problems. Themes include the Happiness and Nature of the Philosopher-Kings, Law and Justice, the Tripartition of the Soul, Appearance and Belief, Conditions of Recognition, Ousia or What Something Is, the Reality of Change and Changelessness, Time and Eternity, and Aristotle on Plato.
This book critically explores answers to the big question, What produced our universe around fifteen billion years ago in a Big Bang? It critiques contemporary atheistic cosmologies, including Steady State, Oscillationism, Big Fizz, Big Divide, and Big Accident, that affirm the eternity and self-sufficiency of the universe without God. This study defends and revises Process Theology and arguments for God's existence from the universe's life-supporting order and contingent existence.
And MAN CREATED GOD presents the Agnostic view point using science, history and logic while denying all religious belief and faith in revelations from a Creator or God. Reviews And MAN CREATED GOD is vigorous and clearly written. Readers should have no doubt about the position you take, the positions you challenge, and why you find religious beliefs doubtful. It articulates very well what you call the agnostic position. Charles F. Kielkopf, Professor of Philosophy, Ohio State University
The acclaimed science writer “curates a visually striking, riotously colorful photographic display…of physical patterns in the natural world” (Publishers Weekly, starred review). Though at first glance the natural world may appear overwhelming in its diversity and complexity, there are regularities running through it, from the hexagons of a honeycomb to the spirals of a seashell and the branching veins of a leaf. Revealing the order at the foundation of the seemingly chaotic natural world, Patterns in Nature explores not only the math and science but also the beauty and artistry behind nature’s awe-inspiring designs. Unlike the patterns we create, natural patterns are formed spontaneously from the forces that act in the physical world. Very often the same types of pattern and form—such as spirals, stripes, branches, and fractals—recur in places that seem to have nothing in common, as when the markings of a zebra mimic the ripples in windblown sand. But many of these patterns can be described using the same mathematical and physical principles, giving a surprising unity to the kaleidoscope of the natural world. Richly illustrated with 250 color photographs and anchored by accessible and insightful chapters by esteemed science writer Philip Ball, Patterns in Nature reveals the organization at work in vast and ancient forests, powerful rivers, massing clouds, and coastlines carved out by the sea. By exploring similarities such as the branches of a tree and those of a river network, this spectacular visual tour conveys the wonder, beauty, and richness of natural pattern formation.
In surveying the field of the anthropology of aesthetics, the author argues that the phenomenon of cultural relativism in easthetic preference may be accounted for by demonstrating that culturally varying notions of beauty are inspired by culturally varying sociocultural ideals.
