A Study Guide for Edward Albee's "Tiny Alice," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
A Study Guide for Edward Albee's "Tiny Alice," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by Edward Albee, well renowned American dramatist and theatrical producer. Titles in this study guide include Who’s Afraid of Virginia Woolf?, The Zoo Story, and Tiny Alice. As a major playwright of the twentieth century, Albee’s work established him as a sharp critic of American values. Moreover, he expertly displayed slashing insight and witty dialogue in the gruesome portrayal of marriage, family life, and self revelation. This Bright Notes Study Guide explores the context and history of Albee’s classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.
A Study Guide for Terrence McNally's "Love! Valour! Compassion!," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by Edward Albee, well renowned American dramatist and theatrical producer. Titles in this study guide include Who's Afraid of Virginia Woolf?, The Zoo Story, and Tiny Alice. As a major playwright of the twentieth century, Albee's work established him as a sharp critic of American values. Moreover, he expertly displayed slashing insight and witty dialogue in the gruesome portrayal of marriage, family life, and self revelation. This Bright Notes Study Guide explores the context and history of Albee's classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.
This guide covers theatre as literature and offers listings of scholarly explications from colonial to contemporary, Edward Albee to Tennessee Williams. Arranged alphabetically by playwright and play title, the bibliography covers both periodicals and book-length criticism and reflects a variety of critical methods.
This work covers the canon of playwright Edward Albee, perhaps best known as the author of Who’s Afraid of Virginia Woolf? Comprehensive entries detail the plays and major characters. Other features include biographical information and insights into Albee’s artistic beliefs, his understanding of the playwright’s responsibility, the importance of music in drama, and the technical craft of writing plays.
Volume 17 of Progress in Self Psychology, The Narcissistic Patient Revisited, begins with the next installment of Strozier's "From the Kohut Archives": first publication of a fragment by Kohut on social class and self-formation and of four letters from his final decade. Taken together, Hazel Ipp's richly textured "Case of Gayle" and the commentaries that it elicits amount to a searching reexamination of narcissistic pathology and the therapeutic process. This illuminating reprise on the clinical phenomenology Kohut associated with "narcissistic personality disorder" accounts for the volume title. The ability of modern self psychology to integrate central concepts from other theories gains expression in Teicholz's proposal for a two-tiered theory of intersubjectivity, in Brownlow's examination of the fear of intimacy, and in Garfield's model for the treatment of psychosis. The social relevance of self psychology comes to the fore in an examination of the experience of adopted children and an inquiry into the roots of mystical experience, both of which concern the ubiquity of the human longing for an idealized parent imago. Among contributions that bring self-psychological ideas to bear on the arts, Frank Lachmann's provocative "Words and Music," which links the history of music to the history of psychoanalytic thought in the quest for universal substrata of psychological experience, deserves special mention. Annette Lachmann's consideration of empathic failure among the characters in Shakespeare's Othello and Silverstein's reflections on Schubert's self-states and selfobject needs in relation to the specific poems set to music in his Lieder round out a collection as richly broad based as the field of self psychology itself.
