American Psychic & Medium Magazine, Extra Edition January 2018.. A magnum super large edition of 202 pages, size: 8.50" by 11". Published by Maximillien de Lafayette(c) and Times Square Press(c), New York. Special issue of the year: Personalities of the year, the world best lightworkers, Psychics' predictions for 2018. The extraordinary Jennifer Wallens. Interview with Melissa Stamps, Suzanne Grace, Deborah Bishop, John Cappello, Patti Negri, Dr. Linda Salvin, Terri Tilton, Shauna Grace, Angelique van Bezouwen, Ursela Rabe, Barbara Price-Rees, Vickie Gay. In depth essays: People bitterness and bad vibes can destroy your business. Yes, you can communicate with dead people with your old radio set. The powerful and formidable, world of Arabic sihr (witchcraft, spells & sorcery)...The world's best spirit artists.i's
American Psychic & Medium Magazine, January 2018 Issue. A magnum super large edition of 202 pages, size: 8.50" by 11". Published by Maximillien de Lafayette(c) and Times Square Press(c), New York. Special issue of the year: Personalities of the year, the world best lightworkers, Psychics' predictions for 2018. The extraordinary Jennifer Wallens. Interview with Melissa Stamps, Suzanne Grace, Deborah Bishop, John Cappello, Patti Negri, Dr. Linda Salvin, Terri Tilton, Shauna Grace, Angelique van Bezouwen, Ursela Rabe, Barbara Price-Rees, Vickie Gay. In depth essays: People bitterness and bad vibes can destroy your business. Yes, you can communicate with dead people with your old radio set. The powerful and formidable, world of Arabic sihr (witchcraft, spells & sorcery)...The world's best spirit artists.
The Simpsons are not only the world's most famous TV family; they are also the protagonists of one of the longest-lasting animation programs in US television. Over the course of the past thirty years, the yellow five from Springfield have become an indispensable part of American popular culture which still turns academics into fans and inspires fans to research the objects of their fascination. This book focuses on the Halloween Special TREEHOUSE OF HORROR, a part of THE SIMPSONS which research has largely left unnoticed. If THE SIMPSONS revolutionized how we look through television at US-American culture and society, TREEHOUSE OF HORROR has changed the way we re-member popular-culture history by way of horror traditions. This study demonstrates how Matt Groening's cartoon shows have painted a yellow archive of the digital age.
New Hampshire couple Betty and Barney Hill provided Americans with what is essentially the original alien abduction story. Since their story became public in the early 1960s, many thousands of Americans have likewise come forward with similar stories of traumatic experiences. Sometimes the abductee has little conscious recollection of these events, but through nightmares, dreams, flashbacks and hypnosis they eventually learn more. Sometimes the participants are bewildered. To get a better understanding of the opposing viewpoints of skeptic and believer, the Betty and Barney Hill case is used to examine the wider context of such encounters, their historical origins, media influences and the latest extraterrestrial, psychological, paranormal, conspiracy and sociological theories that surround them.
This book is based on a belief we both fiercely share: That we are not separate from the Divine, not separate from other humans, and are inextricably interconnected with the Earth community, with a responsibility to protect and to live in humble and grateful harmony with the whole of creation.
The most trusted guide to publishing poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2018, which features hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, Poet's Market offers brand-new articles devoted to the craft and business of poetry, including how to handle a book launch, delivering poetry in unusual places, starting your own poetry workshop, and more. You will also gain access to: • A one-year subscription to the poetry-related information and listings on WritersMarket.com • Lists of conferences, workshops, organizations, and grants • A free digital download of Writer's Yearbook, featuring the 100 Best Markets: WritersDigest.com/WritersDigest-Yearbook-17 Includes exclusive access to the webinar "PR for Poets: The Secret to Getting Your Poems Read" from Jeannine Hall Gailey, author of Field Guide to the End of the World and The Robot Scientist's Daughter.
"Smart cities" use surveillance, big data processing and interactive technologies to reshape urban life. Transit riders can see the bus coming on a map on their phones. Cities can measure and analyze the garbage collected from every household. Businesses can track individuals' movements and precisely target advertisements. Google's failed Sidewalk Labs proposal in Toronto, which drew sharp criticism over surveillance and privacy concerns, is just one of the many smart city projects which have been proposed or are underway in Canada. Iqaluit, Edmonton, Guelph, Montreal, Toronto and other cities and towns are all grappling with how to use these technologies. Some cities have quickly partnered with digital giants like Uber, Bell and IBM. Others have kept their distance. Big tech companies are hard at work recruiting customers and shaping – sometimes making – public policy on data collection and privacy. Smart Cities for Canada: Promise and Perils is the first book on smart cities in Canada. In this collection, experts from across the country investigate what this new approach means for the problems cities face, and expose the larger issues about urban planning and democracy raised by smart city technology. This is a valuable, timely, independent‐minded book for Canadians.
Wolfgang Ernst's new work, Technológos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the 'new sciences.' Ernst's invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of "medium" needs to include a concept of materiality that focuses on "non- human" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and 'informable' matter interfere.
In the Black Fantastic assembles art and imagery from across the African diaspora that embraces ideas of the mythic and the speculative. Neither Afrofuturism nor Magic Realism, but inhabiting its own universe, In the Black Fantastic brings to life a cultural movement that conjures otherworldly visions out of the everyday Black experience and beyond looking at how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender, identity and the body in the 21st century. Transcending time, space and genre to span art, design, fashion architecture, film, literature and popular culture from African myth to future fantasies and beyond, this vital, timely and compelling publication is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent.
Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and of his abiding passion for the American wilderness. The four essays in this lavishly illustrated catalogue examine how Cole’s first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation. A detailed chronology of Cole’s life, focusing on his European tour, retraces the artist’s travels as documented in his journals, letters, and sketchbooks, providing new insight into his encounters and observations. With discussions of over seventy works by Cole, as well as by the artists he admired and influenced, this book allows us to view his work in relation to his European antecedents and competitors, demonstrating his major contribution to the history of Western art.
The most significant architectural spaces in the world are now entirely empty of people. The data centres, telecommunications networks, distribution warehouses, unmanned ports and industrialised agriculture that define the very nature of who we are today are at the same time places we can never visit. Instead they are occupied by server stacks and hard drives, logistics bots and mobile shelving units, autonomous cranes and container ships, robot vacuum cleaners and internet-connected toasters, driverless tractors and taxis. This issue is an atlas of sites, architectures and infrastructures that are not built for us, but whose form, materiality and purpose is configured to anticipate the patterns of machine vision and habitation rather than our own. We are said to be living in a new geological epoch, the Anthropocene, in which humans are the dominant force shaping the planet. This collection of spaces, however, more accurately constitutes an era of the Post-Anthropocene, a period where it is technology and artificial intelligence that now computes, conditions and constructs our world. Marking the end of human-centred design, the issue turns its attention to the new typologies of the post-human, architecture without people and our endless expanse of Machine Landscapes. Contributors: Rem Koolhaas, Merve Bedir and Jason Hilgefort, Benjamin H Bratton, Ingrid Burrington, Ian Cheng, Cathryn Dwyre, Chris Perry, David Salomon and Kathy Velikov, John Gerrard, Alice Gorman, Adam Harvey, Jesse LeCavalier, Xingzhe Liu, Clare Lyster, Geoff Manaugh, Tim Maughan, Simone C Niquille, Jenny Odell, Trevor Paglen, Ben Roberts. Featured interviews: Deborah Harrison, designer of Microsoft’s Cortana; and Paul Inglis, designer of the urban landscapes of Blade Runner 2049.
