Mona is twenty-three, emotionally adrift and cleaning houses to get by. While handing out clean needles to drug addicts, she falls for a man she calls Mr Disgusting, who proceeds to break her heart in unimaginable ways. In search of healing, she decamps to New Mexico for a fresh start, but always lurking just beneath the surface are the ghosts of her past, and the crushing legacy of a chaotic, destructive childhood. It seems running further away from her problems could just leave more inventive ways for them to find her.
Things between Julian and Oscar are only getting better and stronger. They’re ready to take the next step in their relationship: Going to the biggest paranormal investigation convention in the eastern United States to promote Bump in the Night. Everything is changing. And not in the way Julian hoped for when he took the job on Bump in the Night. The show is falling apart before it even really gets off the ground. Oscar is having a crisis of faith in his abilities. Julian’s been seeing someone. Someone who’s supposed to be dead. And when did the Bump in the Night team get a devoted fanbase who likes to cosplay as them at conventions? He’s still a skeptic, but there’s some things that Julian just can’t find an answer for these days. Maybe that fall down the stairs during the last episode did more damage than Julian thought. Everything is changing. Oscar’s got a secret. He’s not the medium he used to be. His abilities are getting unpredictable and people are starting to notice. Worse, the ghosts are starting to notice, and some of them have made it their mission to make Oscar’s life as stressful as possible. And there’s a man who might be able to help him figure out what’s going on. Too bad the man seems to want him dead. But first, Oscar has to get through Boo Con and a surprising number of people wearing cravats who all want his autograph.
Jen Beagin s funny, moving, fearless debut novel introduces an unforgettable character, Mona almost 24, cleaning houses to get by, emotionally adrift. Handing out clean needles to drug addicts, she falls for a recipient who proceeds to break her heart in unimaginable ways Always just under the surface are her memories of growing up in a chaotic, destructive family from which she s trying to disentangle herself. The story of her journey toward a comfortable place in the world and a measure of self-acceptance is psychologically acute, often surprising, and entirely human."
White Witch in a Black Robe is a memoir about how secret high-level mind control is performed throughout victims' lives and the ways heads of governments and religious organizations participate in this, as well as the healing process and how the mind becomes whole again.The memoir begins with the author's childhood in a multi-generational cult family, her ordinary life in the normal world and her simultaneous secret tortuous world. She describes her world travels as a satanic cult queen and prophet, encountering well-known and influential people. The final section portrays the process of weaving the pieces of her mind back together with the help of a therapist, and adjusting to life with a whole mind.This is an important book for survivors of mind control and ritual abuse, their therapists, and the general public, revealing one of the world's best-kept and grimmest secrets. As the author says in her introduction, 'This book is not for the delicate or for those who are convinced the world is fine just the way it is.'
One of Britain's greatest living contemporary dramatists, Edward Bond is widely studied by schools and colleges. The collection includes a commentary by the author. The Bundle - "A complex and marvellously written play" (The Times); Jackets - "An astonishingly powerful piece of political, polemic poetry" (Guardian); Human Cannon charts the struggle against Fascism in Spain through the stories of the village community of Estarobon; In the Company of Men, a vivid and coruscating attack on the values encapsulated by boardroom power games, was described by the RSC as "a vast meditation on the twenty-first century."Edward Bond "is one of the two or three major playwrights - and arguably the only one - to emerge since the fifties" (Observer)
Three New York Times Bestselling standalone novels in one special box set: Summer Secrets, Golden Lies and Don't Say A Word! Summer Secrets: Eight years ago, the three McKenna sisters—Kate, Ashley, and Caroline—had their fifteen minutes of fame. Driven by their ambitious father, they won an around-the-world sailing race as teenagers. But something happened out on the turbulent sea during a fierce storm they could never forget ... Now Tyler Jamison has come to Castleton, a picturesque island off the coast of Washington State, asking questions about the famous McKennas. But even as the sisters close ranks against the tenacious reporter, the past threatens to drown them in its wake. It will take Caroline's willingness to right a wrong, Ashley's struggle to face her greatest fears, and Kate's attempt to embrace life—and love—again to finally calm the winds and stop the rain. "Graced with sympathetic, well-defined characters and an intriguing multi-threaded plot, this is an emotionally involving story ... sure to please Freethy's growing fan base, and like Kristin Hannah's novels, neatly bridges the gap between romance and traditional women's fiction." Library Journal "Freethy skillfully keeps the reader on the hook, and her tantalizing and believable tale has it all—romance, adventure and mystery." Booklist (Starred Review) on Summer Secrets Golden Lies: Every family has secrets -- some too intriguing to resist ... some too dangerous to ignore... A novel about three remarkable families—the fifty-year-old promise that once bound them together, the fiery betrayal that tore them apart, and the ancient bronze dragon that could destroy their future. Riley McAllister, Paige Hathaway, and Alyssa Chen come from very different worlds. Tough guy Riley has overcome the hard knocks of a working-class upbringing. Paige struggles to define her place as the heir to a famous antiques emporium. And Alyssa feels trapped by the restrictions of her family's old world attitudes. Now this unlikely trio of strangers must come together to follow an elusive trail through the streets of San Francisco—from glittering Pacific Heights to colorful Chinatown to trendy south of Market. Each will have to make the impossible choice between romantic love and family loyalty, between sheltering lies and revealing truth. Once the door to the past is opened, there's no turning back... "Golden Lies is an absolute treasure, a fabulous, page-turning combination of romance and intrigue. Fans of Nora Roberts and Elizabeth Lowell will love Golden Lies." New York Times Bestselling Author Kristin Hannah "Freethy's smooth prose, spirited storytelling and engaging characters, are sure to send readers on a treasure hunt for the author's backlist books." Publishers Weekly Don't Say A Word: Everything she's been told about her past is a lie... Julie De Marco is planning a perfect San Francisco wedding when she comes face-to-face with a famous photograph, the startling image of a little girl behind the iron gate of a foreign orphanage—a girl who looks exactly like her. But Julia isn't an orphan. She isn't adopted. And she's never been out of the country. She knows who she is—or does she? Haunted by uncertainty, Julia sets off on a dangerous search for her true identity—her only clues a swan necklace and an old Russian doll, her only ally daring, sexy photographer Alex Manning. Suddenly nothing is as it seems. The people Julia loved and trusted become suspicious strangers. The relationships she believed in—with her mother, her sister, and her fiancé—are shaken by new revelations. The only person she can trust is Alex, but he has secrets of his own. Each step brings her closer to a mysterious past that began a world away—a past that still has the power to threaten her life ... and change her future forever. "Powerful and absorbing ... Sheer hold-your-breath suspense." – NYT Bestselling Author Karen Robards "An absorbing story of two people determined to unravel the secrets, betrayals, and questions about their past. The story builds to an explosive conclusion that will leave readers eagerly awaiting Barbara Freethy's next book."—NYT Bestselling Author Carla Neggars Don't miss the other box sets in the Summer Reads Series: Summer Reads Box Set, Books 1-3, Volume 1 Summer Reads Box Set, Books 4-6, Volume 2 Summer Reads Box Set, Books 7-9, Volume 3 Summer Reads Box Set, Books 10-13, Volume 4
The thirty-four stories included within this volume do not illustrate the bloody, revengeful or licentious elements, with which Japanese popular, and juvenile literature is saturated. These have been carefully avoided. It is also rather with a view to the artistic, than to the literary, products of the imagination of Japan, that the selection has been made. From my first acquaintance, twelve years ago, with Japanese youth, I became an eager listener to their folk lore and fireside stories. When later, during a residence of nearly four years among the people, my eyes were opened to behold the wondrous fertility of invention, the wealth of literary, historic and classic allusion, of pun, myth and riddle, of heroic, wonder, and legendary lore in Japanese art, I at once set myself to find the source of the ideas expressed in bronze and porcelain, on lacquered cabinets, fans, and even crape paper napkins and tidies.
Life, only funnier: Here's the book you've been waiting for, assuming you've been waiting for a book about a guy who spends his time trying to prove velociraptors didn't exist, who teaches his kids to gamble and helps them with their homework by wondering what would happen if you cut a superhero in half, whose own wife said he would get a crocodile for a babysitter, who finds squid chili romantic, and who generally makes the most -- or the least? - -of his life.
This series offers a wide forum for work on contact linguistics, using an integrated approach to both diachronic and synchronic manifestations of contact, ranging from social and individual aspects to structural-typological issues. Topics covered by the series include child and adult bilingualism and multilingualism, contact languages, borrowing and contact-induced typological change, code switching in conversation, societal multilingualism, bilingual language processing, and various other topics related to language contact. The series does not have a fixed theoretical orientation, and includes contributions from a variety of approaches.
